Saipan and Pacific Islands fighting in WW2 on Flickr

Kathleen just loaded a bunch of pictures from the Island campaigns in the Pacific in World War 2. These photos are pretty gruesome and their caption reflect the heated attitude of the time - this is what the photographer wrote and sent back, and not what someone would use to caption a photograph today.

Malaria Moe cartoons on Flickr

Kathleen put up a bunch of scans of World War 2 Malaria Moe propaganda cartoons on Flickr today. The artist, Frank Mack, later went on to work for Ripley's Believe It Or Not.

Another item on the Internet Archive

We uploaded the August 1918 edition of the Carry On, a Red Cross publication about reconstruction and rehabilitation of World War 1 soldiers and sailors to the Internet Archive. See it here.

For some weird reason it's there twice although I uploaded it only once.

National Gallery of Art puts Eakins' Brinton painting back on display

Our registrar just heard from the head of American paintings at the National Gallery of Art who says, "She tells me that it is hung next to Eakins’ portrait of Dr. Thompson, which was his last painting of a medical professional, and that is where it will stay." Our registrar also says the colors of the painting look fantastic and the details can be seen much better. I'm looking forward to seeing it. It's been on loan to the NGA since 1946.

Dr. Thomson actually worked alongside Brinton when the Museum was being established. Along with Dr. Norris, Thomson did studies for the Army's Surgeon General about the utility of microscopes in medicine:

OHA 330

* Thomson Photomicrographs, 1876
* .3 cubic foot.
* No finding aid, arranged, inactive, unrestricted.
* Two copies of an album of photomicrographs made by Dr. William Thomson in 1864 during the Civil War at Douglas Hospital in Washington, DC. The photographs were made "to demnostrate the value of photomicography and its possibility with the compound microscope then issued by the Surgen General's Office to the general hospitals." (from the introductory note.) These albums were compiled for and exhibited at the U.S Centennial International Exhibition (1876). A Union doctor during the Civil War, Thomson contributed to writing the Museum's Catalogue and pioneered in photomicrography and ophthalmic surgery. One album is the Surgeon General's Library copy (SGL #72845) and has an introductory handwritten note by Dr. J. J. Woodward; the second album (MM8615-2) was Assistant Surgeon General Crane's personal copy.

Two museum reports online now

Here's a couple of reports that are almost a decade old, but should still be of interest.

Responses to a Human Remains Collection: Findings from Interviews and Focus Groups. (July 1999).

This report presents the findings from a study conducted by Randi Korn & Associates, Inc. (RK&A), for the National Museum of Health and Medicine (NMHM), Washington, DC. The study was designed to investigate how visitors respond to the Museumâs human remains collection.

National Museum of Health and Medicine Visitor Survey (April 2000).

This report presents the findings from a study conducted by Randi Korn & Associates, Inc. (RK&A), for the National Museum of Health and Medicine (NMHM), Washington, DC. The findings were generated from a total of 1,063 surveys collected between May and November 1999.

The Library of Congress likes Flickr and YouTube and iTunes...

EWS from the Library of Congress
101 Independence Avenue SE
Washington, DC 20540
Phone: (202) 707-2905
Fax: (202) 707-9199
Email: pao@loc.gov

March 25, 2009

Library of Congress Makes More Assets and Information Available Through New-Media Initiatives
YouTube and iTunes Launches Will Follow Groundbreaking Flickr Pact to Bring More Treasures to the Public

The Library of Congress will begin sharing content from its vast video and audio collections on the YouTube and Apple iTunes web services as part of a continuing initiative to make its incomparable treasures more widely accessible to a broad audience. The new Library of Congress channels on each of the popular services will launch within the next few weeks.
New channels on the video and podcasting services will be devoted to Library content, including 100-year-old films from the Thomas Edison studio, book talks with contemporary authors, early industrial films from Westinghouse factories, first-person audio accounts of life in slavery, and inside looks into the Library's fascinating holdings, including the rough draft of the Declaration of Independence and the contents of Lincoln's pockets on the night of his assassination.

“The Library of Congress launched the first U.S. agency-wide blog two years ago and continued its pioneering social-media role with initiatives such as the immensely successful Flickr pilot project,” said Librarian of Congress James H. Billington. “We have long seen the value of such interaction with the public to help achieve our missions, and these agreements remove many of the impediments to making our unparalleled content more useful to many more people.”

The General Services Administration today also announced agreements with Flickr, YouTube, Vimeo and blip.tv that will allow other federal agencies to participate in new media while meeting legal requirements and the unique needs of government. GSA plans to negotiate agreements with other providers, and the Library will explore these new media services when they are appropriate to its mission and as resources permit.

The Library began a groundbreaking pilot project with the popular Flickr photo-sharing service last year, loading 3,100 historic photos to start and an additional 50 photos each week. The overwhelmingly positive response from the Flickr user community not only brought broad public awareness to the Library's existing online collection of more than 1 million prints and photos at www.loc.gov, but also sparked creative interaction with them, as users helped provide Library curators with new information on photos with limited descriptions through public review and tagging. Library of Congress photos on Flickr currently have received more than 15 million views.

A Flickr initiative called The Commons was introduced with the Library’s project launch and a growing number of libraries, museums and archives have since started their own accounts within the Commons framework. The Library has been followed by 22 additional institutions from the United States, Australia, United Kingdom, Canada, France, Portugal, and the Netherlands that are sharing selections from their photo archives and inviting the public to contribute information.

The Flickr pilot placed the Library in a leadership role for other cultural and government communities exploring Web 2.0 possibilities. Information on Library news and events is now available through Twitter, more than 30 RSS and e-mail news alert services, and one of the first blogs from a federal agency.
Library staff worked with service providers to adjust technological and legal standards to permit participation in social-networking services by other federal agencies and non-profit organizations. All content made available on third-party sites will also be available on the Library’s own website at www.loc.gov.

Founded in 1800, the Library of Congress is the nation’s oldest federal cultural institution. The Library seeks to spark imagination and creativity and to further human understanding and wisdom by providing access to knowledge through its magnificent collections, programs and exhibitions. Many of the Library’s rich resources can be accessed through its website at www.loc.gov and via interactive exhibitions on a new, personalized Web site at myLOC.gov.

# # #

PR 09-055
03-24-09
ISSN 0731-3527

Light 'em up

Thanks to our friends at Boing Boing, a pair of lungs that will light your cigarette, and they got it from Street Anatomy.

Prof. Jas. Mundie's photos of Museum on Flickr

Prof. James G Mundie left a comment on a different post, along with a link to his Cabinet of Curiosities Flickr set of pictures of exhibits in the Museum. Cool, hey?

1917 Clinico Motion Pictures catalogue online

Kathleen scanned a 1917 (we think) Clinico Motion Pictures catalogue for Medical, Surgical and Dental films today and put a pdf online.

1876 Human Anatomy checklist online

Brian of Anatomical Collections told me that the catalogue, Check List of Preparations and Objects in the Section of Human Anatomy of the Army Medical Museum, prepared for the 1876 Centennial Exposition in Philadelphia for the Anatomical Section has been scanned and is online. Note that another book or two is squished in with it and our catalogue ends around page 137. I'm not sure if Harvard bound their copy with other things or if something went wrong in the scanning and saving process.

Museum catalogue getting closer to fruition

We've got 5 collecting departments in the Museum. Archives and Anatomical's data conversion is finished and Historical is just about done. Currently if you stick in a keyword like "malaria," at least for the Archives data you get over 200 hits of photographs, books and letters. This is how it's supposed to work for the whole museum and we're getting closer. It'll be months before we clean the data and get it online, but the goal is in site. Just in time for BRAC to throw us off Walter Reed and close us for a while, but still...

Anatomical Collections adds photos to Flickr

Brian of our Anatomical Collections department is putting some cool photos up on Flickr too.

Since we passed 500,000 viewers late last night, we've gone up to 628,026 now. You like us, you really like us (that's a quote of sorts). If you've found us from somewhere besides Wired, Boing Boing, NPR or Austria's public television, chime in and let us know, please.

Symposium on Lincoln's Health

Just a reminder--on April 18-19, the Museum will host a 2-day lecture series about Lincoln's health. The event is free to the public, but reservations are required due to limited seating. Topics will include discussions about Lincoln's mental health and his medical care during his last hours, amongst other many topics. For an agenda, visit this link on the Museum's website: http://www.nmhm.washingtondc.museum/events/lincoln_2009.html

Call 202-782-2673 to make a reservation or email nmhminfo@afip.osd.mil. There's limited seating left, so contact the Museum soon!

We're stunningly popular?

Ok, people are suddenly reading this blog from all over the world. Can you tell us in the comments how you found us and why you're checking it out? We went from about 100 views a day to 290 views an hour today.

Thanks!

Mike the archivist

500 Big Ones

We hit the 500,000 mark sometime early this morning. Oh, I'm talking about our Flickr account that Wired.com wrote about last week. As of 5 seconds ago, 503,160 views on 872 photos. We couldn't be happier. Thanks, everyone!

Civil War opthalmology

Michael Hughes called in the other day and mentioned an article he wrote on Civil War ophthalmology that he used some of the museum's pictures in - Eye Injuries and Prosthetic Restoration in the American Civil War Years
Michael O. Hughes
Journal of Ophthalmic Prosthetics
Fall 2008; pg 18-28

Brain Awareness Week podcast

Pentagon Web Radio interviewed Tim and did a podcast. The site is, of course, blocked at work because it's both a blog and streaming media, so I haven't listened to it yet.

Original Air Date: 3/18/2009 2:00 PM
Episode #7: National Brain Awareness Week

Tim Clarke, Jr., deputy director of communications for the National Museum of Health and Medicine, will discuss the 10th anniversary of National Brain Awareness Week, which was established by the Dana Alliance for Brain Initiatives in 1996, linking scientists, clinicians, journalists, and other educators in an effort to raise awareness about the brain and brain science. Brain Awareness Week promotes an understanding of current research and its translation into clinical practice for a younger audience. More than 1000 middle-school students from across the entire Washington, D.C., area are expected to attend the 10th anniversary activities at the National Museum of Health and Medicine. The appearance of advertising on this Web site does not constitute endorsement by the DOD, of the products or services advertised on this site.

Brain Awareness Week Launched at Museum of Health and Medicine

Brain Awareness Week Launched at Museum of Health and Medicine
By John Ohab
Special to American Forces Press Service

WASHINGTON, March 20, 2009 – Hundreds of middle school students have passed through the halls of the National Museum of Health and Medicine here this week to learn about brain anatomy and pathology, as well as military medical history, as part of National Brain Awareness Week.

The students got to hold a human brain, view the bullet that killed President Abraham Lincoln, and learn about the role the museum has had in military and civilian medicine since its Civil War beginnings, Tim Clarke Jr., the museum’s director of communications, said during a March 18 “Armed with Science: Research and Applications for the Modern Military” audio Webcast on Pentagon Web Radio. The museum is an element of the Armed Forces Institute of Pathology and is located on the campus at Walter Reed Army Medical Center here.

“The idea is … to have young people really inspired about neuroscience and to understand a little more about the brain in a context that they might not be able to get in the classroom today,” Clarke said.

Established in 1996 by the Dana Alliance for Brain Initiatives, a private philanthropic foundation, Brain Awareness Week connects government agencies, universities, scientific societies and other partners to bring neuroscience-based education to young audiences. This year’s Brain Awareness Week is March 16 to 22.

Since 1999, the Dana Alliance has worked with the museum and other partners including the National Institutes of Health, George Washington University, Howard University, the Society for Neuroscience, the Tug McGraw Foundation, the Defense and Veterans Brain Injury Center, and the Army Audiology and Speech Center at Walter Reed Army Medical Center.

“We want to find a way through Brain Awareness Week to connect many of the various disciplines that are involved in neurosciences,” Clarke said. “And work with those groups to put together very compelling, persuasive, hands-on demonstrations for young people.”

The museum maintains the world’s largest and most comprehensive neuroanatomical collection, which offers Brain Awareness Week participants a unique, first-hand opportunity to learn about brain anatomy and pathology. Students, chaperones and parents all have a chance to handle actual human brains.

“The look of awe and wonder on a young person’s face when they are holding an actual human brain is something you really have to see to believe,” Clarke said. “Nothing they had ever done compares to being able to hold a brain with the spinal cord still attached.”

This year’s Brain Awareness Week includes a new partnership with The Tug McGraw Foundation, which was created by professional baseball player Tug McGraw in 2003 to facilitate research that will improve the lives of those suffering from brain tumors. The foundation taught kids how to start their mornings with brain exercises designed to increase blood flow.

Clarke noted that Brain Awareness Week also highlights the variety of federal agencies conducting important basic and clinical neuroscience research. The National Institute on Alcohol Abuse and Alcoholism stages an obstacle course that students traverse while wearing “fatal vision goggles,” which distort eye-muscle coordination and simulate the loss of balance induced by alcohol intoxication. In addition, the Army Audiology and Speech Center at Walter Reed Army Medical Center informs students about how the center works with soldiers, veterans and their families to treat communication disorders.

“We try to find ways to engage the students on their level,” Clarke said. “They are starting and ending the day with a lot of very interesting and compelling scientific information.”

Students who participated in Brain Awareness Week also had the opportunity to view the museum’s newest exhibition, “Abraham Lincoln: The Final Casualty of War,” which features several of its most popular artifacts. The exhibit honors the nation’s 16th president with various items associated with his last hours and the Army doctors who cared for him. On display is the actual bullet that took Lincoln’s life and fragments of hair and skull that were gathered during his autopsy in the White House.

“We are able to tell a really interesting story that people know about, but we tell a different side of the story than you might get in the history textbooks,” Clarke said.

The museum was founded in 1862 during the Civil War to collect anatomical specimens that could be used to develop new treatments for injuries sustained during battle. The museum, once led by Walter Reed, also played a role in shaping modern germ theory and an understanding of infections, as well as helping to found the Army Medical School and various clinical libraries focused on treating soldiers.

“It was Army Medical Museum staff, curators and scientists over the latter half of the 19th century that worked with partners all over the world to indoctrinate those types of practices into Army medicine,” Clarke said.

(John Ohab holds a doctorate in neuroscience and works for the Defense Media Activity’s New Media directorate.)

46,000 views for one picture?!

It's here if you'd like to add your clicks to it.

Plastic surgery exhibit in NYC

This rolled in over the e-transom today. I'm not sure yet how I feel about it the idea, but I think it would be an interesting show. - Mike

EXHIBITION OPENING

I am Art - An Expression of the Visual & Artistic Process of Plastic Surgery
Curated by Dr. Anthony Berlet

March 28 - May 9, 2009

Opening reception:
Saturday, March 28, 6-8pm

Presenting work by Anthony Berlet, M.D., Antonino Cassisi, M.D., Michael Cohen, M.D., Scott Spiro, M.D.

Leon Dufourmentel, a pioneer in plastic surgery, said in 1948, “...If I went to Picasso for my portrait, he would probably make me a monster and I should be pleased because it would be worth a million francs. But if Picasso came to me with a facial injury and I made him into a monster, aha, he might not be so pleased.”

This quotation expresses our view, which we hope to share with you in this exhibition, that plastic surgery is a most challenging art form—perhaps the most challenging art form, for our materials are not canvas or clay. Yes, we embrace the great obsession of artists throughout the ages: the human body. But our material is the human body.

We are asked, on a daily basis, to do the impossible, to make the real ideal, to bridge the gap between reality and fantasy. Plastic surgery is the constant struggle between beauty and blood supply

There is art in everything we do. The initial evaluation requires a keen eye. The surgery plan requires artful preparation. The execution can best be described as a well-choreographed ballet of many different steps. Through this dance of medicine and art, science and aspiration, we seek an outcome as beautiful as any painting or sculpture. Every day, we strive to outdo Pygmalion.

Is perfection possible? We know it is not, and yet, that is our calling. We work with terrible constraints, not the least of which is the subjective nature of art itself. Nowhere are human feelings more various and more complex than in perceptions of the body and of the self. We are, all of us, acutely aware of how others see us.

Our field is sometimes associated with excess. We hope to convince you otherwise. For each individual committed to our charge, the stakes could not be higher. In this exhibition, we intend to convey the great care with which we diagnose, counsel, prepare, execute and maintain our artistic creation, with vision, clarity, passion, ingenuity, compassion and, yes, art.

This exhibition will show the many ways in which we express ourselves as artists, borrowing and shaping perceptions. Take a moment to step into the experience of others, whose lives have been transformed at our hands, we trust for the better.

We hope you will come away from our exhibition with a fuller sense of our aesthetic, reconstructive and post-traumatic disciplines. In the gallery space, we want to give you a glimpse into our world, which is never our world alone. Ours is truly the most intimate, the most personal of arts. When we are finished, the product of our labors can turn to us and say, "I am art." That, at least, is what we strive for.

Please join us.
All events are free and open to the public.

apexart
291 Church Street, NYC, 10013
t. 212 431 5270
www.apexart.org

Directions: A, C, E, N, R, W, Q, J, M, Z, 6 to Canal or 1 to Franklin.

apexart's exhibitions and public programs are supported in part by the Andy Warhol Foundation for the Visual Arts, Carnegie Corporation of New York, Edith C. Blum Foundation, Mary Duke Biddle Foundation, The Greenwich Collection Ltd., The William Talbott Hillman Foundation, and with public funds from the New York City Department of Cultural Affairs and the New York State Council on the Arts.