What is a sense of place in relation to corporeal subjectivity? If an amputee leaves limb in one place and occupies body in another, how do we define place as rooted by personal location? Likewise if a nation is divided in two by war, what does it mean for a medical museum to display fragments of the bodies of honorable combatants and amputees? How does a museum shape our sense of self, our ideas about nationhood and place, and aid in collective mourning? I argue that the U.S. Army Medical Museum, founded in 1862 during the American Civil War, represented parts of the human body through practices of institutional display and within the pages of sponsored medical publications as both aesthetic objects and medically educational tools. Through an engagement with representations of corporeal fracture in the writings of S. Weir Mitchell and in period photography, lithography, and the field sketches of Winslow Homer, this paper argues that corporeal fracture - made evident within the walls of the U.S. Army Medical Museum and its publications - complicates fixed notions about placement and displacement during and after the American Civil War making living specimens out of some and offering a location for mourning for a nation.