An unofficial blog about the National Museum of Health and Medicine (nee the Army Medical Museum) in Silver Spring, MD. Visit for news about the museum, new projects, musing on the history of medicine and neat pictures.
Thursday, March 26, 2009
Light 'em up
Thanks to our friends at Boing Boing, a pair of lungs that will light your cigarette, and they got it from Street Anatomy.
Wednesday, March 25, 2009
Prof. Jas. Mundie's photos of Museum on Flickr
Prof. James G Mundie left a comment on a different post, along with a link to his Cabinet of Curiosities Flickr set of pictures of exhibits in the Museum. Cool, hey?
1917 Clinico Motion Pictures catalogue online
Kathleen scanned a 1917 (we think) Clinico Motion Pictures catalogue for Medical, Surgical and Dental films today and put a pdf online.
1876 Human Anatomy checklist online
Brian of Anatomical Collections told me that the catalogue, Check List of Preparations and Objects in the Section of Human Anatomy of the Army Medical Museum, prepared for the 1876 Centennial Exposition in Philadelphia for the Anatomical Section has been scanned and is online. Note that another book or two is squished in with it and our catalogue ends around page 137. I'm not sure if Harvard bound their copy with other things or if something went wrong in the scanning and saving process.
Tuesday, March 24, 2009
Museum catalogue getting closer to fruition
We've got 5 collecting departments in the Museum. Archives and Anatomical's data conversion is finished and Historical is just about done. Currently if you stick in a keyword like "malaria," at least for the Archives data you get over 200 hits of photographs, books and letters. This is how it's supposed to work for the whole museum and we're getting closer. It'll be months before we clean the data and get it online, but the goal is in site. Just in time for BRAC to throw us off Walter Reed and close us for a while, but still...
Monday, March 23, 2009
Anatomical Collections adds photos to Flickr
Brian of our Anatomical Collections department is putting some cool photos up on Flickr too.
Since we passed 500,000 viewers late last night, we've gone up to 628,026 now. You like us, you really like us (that's a quote of sorts). If you've found us from somewhere besides Wired, Boing Boing, NPR or Austria's public television, chime in and let us know, please.
Sunday, March 22, 2009
Symposium on Lincoln's Health
Just a reminder--on April 18-19, the Museum will host a 2-day lecture series about Lincoln's health. The event is free to the public, but reservations are required due to limited seating. Topics will include discussions about Lincoln's mental health and his medical care during his last hours, amongst other many topics. For an agenda, visit this link on the Museum's website: http://www.nmhm.washingtondc.museum/events/lincoln_2009.html
Call 202-782-2673 to make a reservation or email nmhminfo@afip.osd.mil. There's limited seating left, so contact the Museum soon!
Call 202-782-2673 to make a reservation or email nmhminfo@afip.osd.mil. There's limited seating left, so contact the Museum soon!
We're stunningly popular?
Ok, people are suddenly reading this blog from all over the world. Can you tell us in the comments how you found us and why you're checking it out? We went from about 100 views a day to 290 views an hour today.
Thanks!
Mike the archivist
Thanks!
Mike the archivist
500 Big Ones
We hit the 500,000 mark sometime early this morning. Oh, I'm talking about our Flickr account that Wired.com wrote about last week. As of 5 seconds ago, 503,160 views on 872 photos. We couldn't be happier. Thanks, everyone!
Saturday, March 21, 2009
Civil War opthalmology
Michael Hughes called in the other day and mentioned an article he wrote on Civil War ophthalmology that he used some of the museum's pictures in - Eye Injuries and Prosthetic Restoration in the American Civil War Years
Michael O. Hughes
Journal of Ophthalmic Prosthetics
Fall 2008; pg 18-28
Michael O. Hughes
Journal of Ophthalmic Prosthetics
Fall 2008; pg 18-28
Brain Awareness Week podcast
Pentagon Web Radio interviewed Tim and did a podcast. The site is, of course, blocked at work because it's both a blog and streaming media, so I haven't listened to it yet.
Original Air Date: 3/18/2009 2:00 PM
Episode #7: National Brain Awareness Week
Tim Clarke, Jr., deputy director of communications for the National Museum of Health and Medicine, will discuss the 10th anniversary of National Brain Awareness Week, which was established by the Dana Alliance for Brain Initiatives in 1996, linking scientists, clinicians, journalists, and other educators in an effort to raise awareness about the brain and brain science. Brain Awareness Week promotes an understanding of current research and its translation into clinical practice for a younger audience. More than 1000 middle-school students from across the entire Washington, D.C., area are expected to attend the 10th anniversary activities at the National Museum of Health and Medicine. The appearance of advertising on this Web site does not constitute endorsement by the DOD, of the products or services advertised on this site.
Original Air Date: 3/18/2009 2:00 PM
Episode #7: National Brain Awareness Week
Tim Clarke, Jr., deputy director of communications for the National Museum of Health and Medicine, will discuss the 10th anniversary of National Brain Awareness Week, which was established by the Dana Alliance for Brain Initiatives in 1996, linking scientists, clinicians, journalists, and other educators in an effort to raise awareness about the brain and brain science. Brain Awareness Week promotes an understanding of current research and its translation into clinical practice for a younger audience. More than 1000 middle-school students from across the entire Washington, D.C., area are expected to attend the 10th anniversary activities at the National Museum of Health and Medicine. The appearance of advertising on this Web site does not constitute endorsement by the DOD, of the products or services advertised on this site.
Brain Awareness Week Launched at Museum of Health and Medicine
Brain Awareness Week Launched at Museum of Health and Medicine
By John Ohab
Special to American Forces Press Service
WASHINGTON, March 20, 2009 – Hundreds of middle school students have passed through the halls of the National Museum of Health and Medicine here this week to learn about brain anatomy and pathology, as well as military medical history, as part of National Brain Awareness Week.
The students got to hold a human brain, view the bullet that killed President Abraham Lincoln, and learn about the role the museum has had in military and civilian medicine since its Civil War beginnings, Tim Clarke Jr., the museum’s director of communications, said during a March 18 “Armed with Science: Research and Applications for the Modern Military” audio Webcast on Pentagon Web Radio. The museum is an element of the Armed Forces Institute of Pathology and is located on the campus at Walter Reed Army Medical Center here.
“The idea is … to have young people really inspired about neuroscience and to understand a little more about the brain in a context that they might not be able to get in the classroom today,” Clarke said.
Established in 1996 by the Dana Alliance for Brain Initiatives, a private philanthropic foundation, Brain Awareness Week connects government agencies, universities, scientific societies and other partners to bring neuroscience-based education to young audiences. This year’s Brain Awareness Week is March 16 to 22.
Since 1999, the Dana Alliance has worked with the museum and other partners including the National Institutes of Health, George Washington University, Howard University, the Society for Neuroscience, the Tug McGraw Foundation, the Defense and Veterans Brain Injury Center, and the Army Audiology and Speech Center at Walter Reed Army Medical Center.
“We want to find a way through Brain Awareness Week to connect many of the various disciplines that are involved in neurosciences,” Clarke said. “And work with those groups to put together very compelling, persuasive, hands-on demonstrations for young people.”
The museum maintains the world’s largest and most comprehensive neuroanatomical collection, which offers Brain Awareness Week participants a unique, first-hand opportunity to learn about brain anatomy and pathology. Students, chaperones and parents all have a chance to handle actual human brains.
“The look of awe and wonder on a young person’s face when they are holding an actual human brain is something you really have to see to believe,” Clarke said. “Nothing they had ever done compares to being able to hold a brain with the spinal cord still attached.”
This year’s Brain Awareness Week includes a new partnership with The Tug McGraw Foundation, which was created by professional baseball player Tug McGraw in 2003 to facilitate research that will improve the lives of those suffering from brain tumors. The foundation taught kids how to start their mornings with brain exercises designed to increase blood flow.
Clarke noted that Brain Awareness Week also highlights the variety of federal agencies conducting important basic and clinical neuroscience research. The National Institute on Alcohol Abuse and Alcoholism stages an obstacle course that students traverse while wearing “fatal vision goggles,” which distort eye-muscle coordination and simulate the loss of balance induced by alcohol intoxication. In addition, the Army Audiology and Speech Center at Walter Reed Army Medical Center informs students about how the center works with soldiers, veterans and their families to treat communication disorders.
“We try to find ways to engage the students on their level,” Clarke said. “They are starting and ending the day with a lot of very interesting and compelling scientific information.”
Students who participated in Brain Awareness Week also had the opportunity to view the museum’s newest exhibition, “Abraham Lincoln: The Final Casualty of War,” which features several of its most popular artifacts. The exhibit honors the nation’s 16th president with various items associated with his last hours and the Army doctors who cared for him. On display is the actual bullet that took Lincoln’s life and fragments of hair and skull that were gathered during his autopsy in the White House.
“We are able to tell a really interesting story that people know about, but we tell a different side of the story than you might get in the history textbooks,” Clarke said.
The museum was founded in 1862 during the Civil War to collect anatomical specimens that could be used to develop new treatments for injuries sustained during battle. The museum, once led by Walter Reed, also played a role in shaping modern germ theory and an understanding of infections, as well as helping to found the Army Medical School and various clinical libraries focused on treating soldiers.
“It was Army Medical Museum staff, curators and scientists over the latter half of the 19th century that worked with partners all over the world to indoctrinate those types of practices into Army medicine,” Clarke said.
(John Ohab holds a doctorate in neuroscience and works for the Defense Media Activity’s New Media directorate.)
By John Ohab
Special to American Forces Press Service
WASHINGTON, March 20, 2009 – Hundreds of middle school students have passed through the halls of the National Museum of Health and Medicine here this week to learn about brain anatomy and pathology, as well as military medical history, as part of National Brain Awareness Week.
The students got to hold a human brain, view the bullet that killed President Abraham Lincoln, and learn about the role the museum has had in military and civilian medicine since its Civil War beginnings, Tim Clarke Jr., the museum’s director of communications, said during a March 18 “Armed with Science: Research and Applications for the Modern Military” audio Webcast on Pentagon Web Radio. The museum is an element of the Armed Forces Institute of Pathology and is located on the campus at Walter Reed Army Medical Center here.
“The idea is … to have young people really inspired about neuroscience and to understand a little more about the brain in a context that they might not be able to get in the classroom today,” Clarke said.
Established in 1996 by the Dana Alliance for Brain Initiatives, a private philanthropic foundation, Brain Awareness Week connects government agencies, universities, scientific societies and other partners to bring neuroscience-based education to young audiences. This year’s Brain Awareness Week is March 16 to 22.
Since 1999, the Dana Alliance has worked with the museum and other partners including the National Institutes of Health, George Washington University, Howard University, the Society for Neuroscience, the Tug McGraw Foundation, the Defense and Veterans Brain Injury Center, and the Army Audiology and Speech Center at Walter Reed Army Medical Center.
“We want to find a way through Brain Awareness Week to connect many of the various disciplines that are involved in neurosciences,” Clarke said. “And work with those groups to put together very compelling, persuasive, hands-on demonstrations for young people.”
The museum maintains the world’s largest and most comprehensive neuroanatomical collection, which offers Brain Awareness Week participants a unique, first-hand opportunity to learn about brain anatomy and pathology. Students, chaperones and parents all have a chance to handle actual human brains.
“The look of awe and wonder on a young person’s face when they are holding an actual human brain is something you really have to see to believe,” Clarke said. “Nothing they had ever done compares to being able to hold a brain with the spinal cord still attached.”
This year’s Brain Awareness Week includes a new partnership with The Tug McGraw Foundation, which was created by professional baseball player Tug McGraw in 2003 to facilitate research that will improve the lives of those suffering from brain tumors. The foundation taught kids how to start their mornings with brain exercises designed to increase blood flow.
Clarke noted that Brain Awareness Week also highlights the variety of federal agencies conducting important basic and clinical neuroscience research. The National Institute on Alcohol Abuse and Alcoholism stages an obstacle course that students traverse while wearing “fatal vision goggles,” which distort eye-muscle coordination and simulate the loss of balance induced by alcohol intoxication. In addition, the Army Audiology and Speech Center at Walter Reed Army Medical Center informs students about how the center works with soldiers, veterans and their families to treat communication disorders.
“We try to find ways to engage the students on their level,” Clarke said. “They are starting and ending the day with a lot of very interesting and compelling scientific information.”
Students who participated in Brain Awareness Week also had the opportunity to view the museum’s newest exhibition, “Abraham Lincoln: The Final Casualty of War,” which features several of its most popular artifacts. The exhibit honors the nation’s 16th president with various items associated with his last hours and the Army doctors who cared for him. On display is the actual bullet that took Lincoln’s life and fragments of hair and skull that were gathered during his autopsy in the White House.
“We are able to tell a really interesting story that people know about, but we tell a different side of the story than you might get in the history textbooks,” Clarke said.
The museum was founded in 1862 during the Civil War to collect anatomical specimens that could be used to develop new treatments for injuries sustained during battle. The museum, once led by Walter Reed, also played a role in shaping modern germ theory and an understanding of infections, as well as helping to found the Army Medical School and various clinical libraries focused on treating soldiers.
“It was Army Medical Museum staff, curators and scientists over the latter half of the 19th century that worked with partners all over the world to indoctrinate those types of practices into Army medicine,” Clarke said.
(John Ohab holds a doctorate in neuroscience and works for the Defense Media Activity’s New Media directorate.)
Friday, March 20, 2009
Plastic surgery exhibit in NYC
This rolled in over the e-transom today. I'm not sure yet how I feel about it the idea, but I think it would be an interesting show. - Mike
EXHIBITION OPENING
I am Art - An Expression of the Visual & Artistic Process of Plastic Surgery
Curated by Dr. Anthony Berlet
March 28 - May 9, 2009
Opening reception:
Saturday, March 28, 6-8pm
Presenting work by Anthony Berlet, M.D., Antonino Cassisi, M.D., Michael Cohen, M.D., Scott Spiro, M.D.
Leon Dufourmentel, a pioneer in plastic surgery, said in 1948, “...If I went to Picasso for my portrait, he would probably make me a monster and I should be pleased because it would be worth a million francs. But if Picasso came to me with a facial injury and I made him into a monster, aha, he might not be so pleased.”
This quotation expresses our view, which we hope to share with you in this exhibition, that plastic surgery is a most challenging art form—perhaps the most challenging art form, for our materials are not canvas or clay. Yes, we embrace the great obsession of artists throughout the ages: the human body. But our material is the human body.
We are asked, on a daily basis, to do the impossible, to make the real ideal, to bridge the gap between reality and fantasy. Plastic surgery is the constant struggle between beauty and blood supply
There is art in everything we do. The initial evaluation requires a keen eye. The surgery plan requires artful preparation. The execution can best be described as a well-choreographed ballet of many different steps. Through this dance of medicine and art, science and aspiration, we seek an outcome as beautiful as any painting or sculpture. Every day, we strive to outdo Pygmalion.
Is perfection possible? We know it is not, and yet, that is our calling. We work with terrible constraints, not the least of which is the subjective nature of art itself. Nowhere are human feelings more various and more complex than in perceptions of the body and of the self. We are, all of us, acutely aware of how others see us.
Our field is sometimes associated with excess. We hope to convince you otherwise. For each individual committed to our charge, the stakes could not be higher. In this exhibition, we intend to convey the great care with which we diagnose, counsel, prepare, execute and maintain our artistic creation, with vision, clarity, passion, ingenuity, compassion and, yes, art.
This exhibition will show the many ways in which we express ourselves as artists, borrowing and shaping perceptions. Take a moment to step into the experience of others, whose lives have been transformed at our hands, we trust for the better.
We hope you will come away from our exhibition with a fuller sense of our aesthetic, reconstructive and post-traumatic disciplines. In the gallery space, we want to give you a glimpse into our world, which is never our world alone. Ours is truly the most intimate, the most personal of arts. When we are finished, the product of our labors can turn to us and say, "I am art." That, at least, is what we strive for.
Please join us.
All events are free and open to the public.
apexart
291 Church Street, NYC, 10013
t. 212 431 5270
www.apexart.org
Directions: A, C, E, N, R, W, Q, J, M, Z, 6 to Canal or 1 to Franklin.
apexart's exhibitions and public programs are supported in part by the Andy Warhol Foundation for the Visual Arts, Carnegie Corporation of New York, Edith C. Blum Foundation, Mary Duke Biddle Foundation, The Greenwich Collection Ltd., The William Talbott Hillman Foundation, and with public funds from the New York City Department of Cultural Affairs and the New York State Council on the Arts.
EXHIBITION OPENING
I am Art - An Expression of the Visual & Artistic Process of Plastic Surgery
Curated by Dr. Anthony Berlet
March 28 - May 9, 2009
Opening reception:
Saturday, March 28, 6-8pm
Presenting work by Anthony Berlet, M.D., Antonino Cassisi, M.D., Michael Cohen, M.D., Scott Spiro, M.D.
Leon Dufourmentel, a pioneer in plastic surgery, said in 1948, “...If I went to Picasso for my portrait, he would probably make me a monster and I should be pleased because it would be worth a million francs. But if Picasso came to me with a facial injury and I made him into a monster, aha, he might not be so pleased.”
This quotation expresses our view, which we hope to share with you in this exhibition, that plastic surgery is a most challenging art form—perhaps the most challenging art form, for our materials are not canvas or clay. Yes, we embrace the great obsession of artists throughout the ages: the human body. But our material is the human body.
We are asked, on a daily basis, to do the impossible, to make the real ideal, to bridge the gap between reality and fantasy. Plastic surgery is the constant struggle between beauty and blood supply
There is art in everything we do. The initial evaluation requires a keen eye. The surgery plan requires artful preparation. The execution can best be described as a well-choreographed ballet of many different steps. Through this dance of medicine and art, science and aspiration, we seek an outcome as beautiful as any painting or sculpture. Every day, we strive to outdo Pygmalion.
Is perfection possible? We know it is not, and yet, that is our calling. We work with terrible constraints, not the least of which is the subjective nature of art itself. Nowhere are human feelings more various and more complex than in perceptions of the body and of the self. We are, all of us, acutely aware of how others see us.
Our field is sometimes associated with excess. We hope to convince you otherwise. For each individual committed to our charge, the stakes could not be higher. In this exhibition, we intend to convey the great care with which we diagnose, counsel, prepare, execute and maintain our artistic creation, with vision, clarity, passion, ingenuity, compassion and, yes, art.
This exhibition will show the many ways in which we express ourselves as artists, borrowing and shaping perceptions. Take a moment to step into the experience of others, whose lives have been transformed at our hands, we trust for the better.
We hope you will come away from our exhibition with a fuller sense of our aesthetic, reconstructive and post-traumatic disciplines. In the gallery space, we want to give you a glimpse into our world, which is never our world alone. Ours is truly the most intimate, the most personal of arts. When we are finished, the product of our labors can turn to us and say, "I am art." That, at least, is what we strive for.
Please join us.
All events are free and open to the public.
apexart
291 Church Street, NYC, 10013
t. 212 431 5270
www.apexart.org
Directions: A, C, E, N, R, W, Q, J, M, Z, 6 to Canal or 1 to Franklin.
apexart's exhibitions and public programs are supported in part by the Andy Warhol Foundation for the Visual Arts, Carnegie Corporation of New York, Edith C. Blum Foundation, Mary Duke Biddle Foundation, The Greenwich Collection Ltd., The William Talbott Hillman Foundation, and with public funds from the New York City Department of Cultural Affairs and the New York State Council on the Arts.
Thursday, March 19, 2009
Patten Collection of embryology
In one of the more un-glamerous jobs in a museum, just boxed 1000 histo slides yesterday. Only ~10,000 more to go. The goal is to ge the collection in better shape to use and ultimately ship, if/when the museum moves.
NPR blog mentions Flickr site and old interview
See "National Museum of Health and Medicine Shares Collection Via Flickr," By Jo Ella Straley. There's a link to an interview that I did and had forgotten about, but the reporter, Joe Shapiro, does good work on medicine and health.
New books from the Borden Institute
Our friends at the Borden Institute have two new books out, and the first has quite a few photos from our collection:
A History of Dentistry in the US Army to World War II (2008) - a detailed history of the development of military dentistry in the United States, from beginnings in the early 17th century, through the professionalization of dentistry in the 19th century, dental care on both sides of the Civil War, the establishment of the US Army Dental Corps in 1909, and the expansion of the Corps through World War I and afterward, to the verge of the Second World War.
Medical Aspects of Chemical Warfare (2008) - a comprehensive source of the information available on chemical agents, this book will increase the level of preparedness and response capability of military and civilian practitioners responsible for chemical casualty care. Includes detailed explanations of chemical detectors and protection equipment, diagnosis, decontamination techniques, established and emerging countermeasures, and therapy techniques, as well as the history of chemical warfare and casualty management.
A History of Dentistry in the US Army to World War II (2008) - a detailed history of the development of military dentistry in the United States, from beginnings in the early 17th century, through the professionalization of dentistry in the 19th century, dental care on both sides of the Civil War, the establishment of the US Army Dental Corps in 1909, and the expansion of the Corps through World War I and afterward, to the verge of the Second World War.
Medical Aspects of Chemical Warfare (2008) - a comprehensive source of the information available on chemical agents, this book will increase the level of preparedness and response capability of military and civilian practitioners responsible for chemical casualty care. Includes detailed explanations of chemical detectors and protection equipment, diagnosis, decontamination techniques, established and emerging countermeasures, and therapy techniques, as well as the history of chemical warfare and casualty management.
Photomicrographs exhibit
You know what we have a lot of? Photomicrographs. 19th century photomicrographs. We even have microdaguerreotypes.
Here's an older Wired story about an exhibit of other people's photomicrographs that I stumbled across - "Rare Microphotographs Resurface After 150 Years," By Alexis Madrigal, November 19, 2008.
Here's an older Wired story about an exhibit of other people's photomicrographs that I stumbled across - "Rare Microphotographs Resurface After 150 Years," By Alexis Madrigal, November 19, 2008.
Wednesday, March 18, 2009
Wired article drives visitors to Flickr site
Last night around 10:20 we had 65,070 views. This morning at 4:45: 82,395. At 2pm: 173,792 views. At 7:15 pm: 246,540 views. At 7:36: 252,951 views. At 11:10: 310,089. And that's for 816 pictures.
Some people have been asking about HIPAA, which provides for privacy of medical records. These photographs were taken for medical education by various sources including the Army Medical Museum's Museum & Medical Arts Service (MAMAS) photographers which had no role in treating patients (or an electronic billing relationship with them which is the main criteria for applying HIPAA), but was sent out to theaters of war to take pictures. Additionally, when we created the scanning database, we did not capture the name of the patient. We have tried to be very careful about selecting images that are anonymous UNLESS the photograph was previously published with the names included (as all the Civil War and Signal Corps pictures were). The whole secure scanning database of over 500,000 images, which is not available to the general public, has many restricted images that only administrators can see. We'll continue to make a subset of them available somehow, but keep in mind that with over 2500 boxes of photographs - it's going to take a long time and there's a lot of junk.
These photographs have been available to the public as part of the AFIP's Medical Illustration Service Library since the 1940s - this is just the first time that they have been easily viewable without visiting Washington, DC. The other half of the old Army Medical Museum & Library's collection was put online years ago by the National Library of Medicine (which has a far larger budget than we do) - http://wwwihm.nlm.nih.gov/cgi-bin/gw_44_3/chameleon?skin=nlm&lng=en
Another excellent source is the Wellcome's photo library, which like ours, includes clinical images of diseases (which the Library of Medicine does not).
Finally about that 'permission' thing in the Wired article - what we're waiting on is permission to join Flickr Commons, which asked us last year and has certain legal requirements, not permission to post public domain photographs online. We can ask our web manager to post them on our own website - Flickr just has far more viewers and we could do it ourself in seconds once upon a time.
Anyone interested in the history of the medical museum and photographs may want to read this article.
Some people have been asking about HIPAA, which provides for privacy of medical records. These photographs were taken for medical education by various sources including the Army Medical Museum's Museum & Medical Arts Service (MAMAS) photographers which had no role in treating patients (or an electronic billing relationship with them which is the main criteria for applying HIPAA), but was sent out to theaters of war to take pictures. Additionally, when we created the scanning database, we did not capture the name of the patient. We have tried to be very careful about selecting images that are anonymous UNLESS the photograph was previously published with the names included (as all the Civil War and Signal Corps pictures were). The whole secure scanning database of over 500,000 images, which is not available to the general public, has many restricted images that only administrators can see. We'll continue to make a subset of them available somehow, but keep in mind that with over 2500 boxes of photographs - it's going to take a long time and there's a lot of junk.
These photographs have been available to the public as part of the AFIP's Medical Illustration Service Library since the 1940s - this is just the first time that they have been easily viewable without visiting Washington, DC. The other half of the old Army Medical Museum & Library's collection was put online years ago by the National Library of Medicine (which has a far larger budget than we do) - http://wwwihm.nlm.nih.gov/cgi-bin/gw_44_3/chameleon?skin=nlm&lng=en
Another excellent source is the Wellcome's photo library, which like ours, includes clinical images of diseases (which the Library of Medicine does not).
Finally about that 'permission' thing in the Wired article - what we're waiting on is permission to join Flickr Commons, which asked us last year and has certain legal requirements, not permission to post public domain photographs online. We can ask our web manager to post them on our own website - Flickr just has far more viewers and we could do it ourself in seconds once upon a time.
Anyone interested in the history of the medical museum and photographs may want to read this article.
Another letter from WW1
I've transcribed another letter from the American Expeditionary Forces surgeon whose letters I'm scanning.
I hope it goes without saying that the disparaging comments made in this letter are not our views, collectively or individually, and from reading Captain Otken's letters as I have over the past couple of weeks, I would also say that he would not speak this way today.
"Bordeaux Sat Oct 5th
My dearest Lois:
Received Mama’s and Frances letters of Aug. 20th & Sister’s of Sept 8th this week – needless to say was glad to get so much news from home & to know that all are getting along as well as they are.
We are awfully busy, have nearly three thousand patients and eighteen ward surgeons to take care of them, so you can see what we have to do. Have lots of the Spanish Flu – with its chief complication – Pneumonia – consequently we are losing quite a number. I lost count of the number of hospital trains we got this week – four I believe – seems like I have been up nearly all night every night this week. So far I have had nothing but surgical cases – they sent me the one with the most severe wounds – have sixty severe patients now – some have as high as eight big wounds – every man has to be dressed every day & I do all my own operating – I didn’t get out of the op. room until six o’clock tonight – so you see how much idle time I have.
I got some fine pictures of some of the big wounds in my ward – will have others made when I close them up. My face case I wrote you about has healed up now, both operations were successful & he has a fairly presentable face. Am going to have a picture made of him. We got in a lot of sick & wounded officers this week but none that I knew – one from Brownsville Texas lives just a few doors from Effie Pornell Feuder. It has been real cold here the past week especially at night, have had several heavy frosts.
You folks mustn’t expect a letter every week – I write you at least once a week but a mail boat doesn’t leave every week & remember the millions of letter that go from the A.E.F. – and then you can see the reason why they come in bunches, if one could only see one of these mail boats unload in New York, you would cease wondering at the delay.
I hope Spencer improves at Ft. McPherson which I think he will – those cases generally get better in course of time – I don’t know of any treatment that will do them any good except massage & exercise. His sciatic nerve – the big nerve to the leg is probably involved [?] – neurasthenia is where a person imagines they have something that they haven’t. We see lots of them in the army – it is a racial characteristic of Jews and Dago’s.
The war news is certainly encouraging – with Bulgaria’s surrender – Turkey is cut off from Germany & Austria so it is only a question of time before she falls & every thing points to internal dissension & revolution in Germany – there are all kinds of peace rumors rife these days. Meanwhile the Allies keep on hammering on the Germans on all fronts – something is going to break ere long. Am getting some fine experience but I’ll be glad when it is all over with & we can come back to our own country once more.
As to Gidiere I spoke to George Wolhecht about him when I was home last – he & Frank will attend to that all right. Will start once more – the lights went out all over the camp – so I went down to the ward to see how my operative cases were doing.
Hope Charlie can get a change before long, the kind of work he is doing is bound to grow very monotonous.
A new ruling forbids putting the name of your organization on your letter in the upper left hand corner – hence the change but address me the same as usual – it does not apply to mail addressed to us – I can’t see the idea of the rule myself but it is so.
Be careful & don’t any of you take any risks and get sick.
Love to all at home – a kiss for each of you.
Luther
Capt. LB Otken M.C.
US Base Hosp. 22
B.S. #2 A.P.O. 705"
I hope it goes without saying that the disparaging comments made in this letter are not our views, collectively or individually, and from reading Captain Otken's letters as I have over the past couple of weeks, I would also say that he would not speak this way today.
"Bordeaux Sat Oct 5th
My dearest Lois:
Received Mama’s and Frances letters of Aug. 20th & Sister’s of Sept 8th this week – needless to say was glad to get so much news from home & to know that all are getting along as well as they are.
We are awfully busy, have nearly three thousand patients and eighteen ward surgeons to take care of them, so you can see what we have to do. Have lots of the Spanish Flu – with its chief complication – Pneumonia – consequently we are losing quite a number. I lost count of the number of hospital trains we got this week – four I believe – seems like I have been up nearly all night every night this week. So far I have had nothing but surgical cases – they sent me the one with the most severe wounds – have sixty severe patients now – some have as high as eight big wounds – every man has to be dressed every day & I do all my own operating – I didn’t get out of the op. room until six o’clock tonight – so you see how much idle time I have.
I got some fine pictures of some of the big wounds in my ward – will have others made when I close them up. My face case I wrote you about has healed up now, both operations were successful & he has a fairly presentable face. Am going to have a picture made of him. We got in a lot of sick & wounded officers this week but none that I knew – one from Brownsville Texas lives just a few doors from Effie Pornell Feuder. It has been real cold here the past week especially at night, have had several heavy frosts.
You folks mustn’t expect a letter every week – I write you at least once a week but a mail boat doesn’t leave every week & remember the millions of letter that go from the A.E.F. – and then you can see the reason why they come in bunches, if one could only see one of these mail boats unload in New York, you would cease wondering at the delay.
I hope Spencer improves at Ft. McPherson which I think he will – those cases generally get better in course of time – I don’t know of any treatment that will do them any good except massage & exercise. His sciatic nerve – the big nerve to the leg is probably involved [?] – neurasthenia is where a person imagines they have something that they haven’t. We see lots of them in the army – it is a racial characteristic of Jews and Dago’s.
The war news is certainly encouraging – with Bulgaria’s surrender – Turkey is cut off from Germany & Austria so it is only a question of time before she falls & every thing points to internal dissension & revolution in Germany – there are all kinds of peace rumors rife these days. Meanwhile the Allies keep on hammering on the Germans on all fronts – something is going to break ere long. Am getting some fine experience but I’ll be glad when it is all over with & we can come back to our own country once more.
As to Gidiere I spoke to George Wolhecht about him when I was home last – he & Frank will attend to that all right. Will start once more – the lights went out all over the camp – so I went down to the ward to see how my operative cases were doing.
Hope Charlie can get a change before long, the kind of work he is doing is bound to grow very monotonous.
A new ruling forbids putting the name of your organization on your letter in the upper left hand corner – hence the change but address me the same as usual – it does not apply to mail addressed to us – I can’t see the idea of the rule myself but it is so.
Be careful & don’t any of you take any risks and get sick.
Love to all at home – a kiss for each of you.
Luther
Capt. LB Otken M.C.
US Base Hosp. 22
B.S. #2 A.P.O. 705"
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