Anatomy exhibit at National Gallery of Art

This looks really interesting -

The Body Inside and Out: Anatomical Literature and Art Theory
Selections from the National Gallery of Art Library
July 24, 2010–January 23, 2011

Here's the info from their website and a link to the brochure:

The humanist movement of the Renaissance introduced new realms of possibility in the arts and the sciences, including the study of anatomy. Many artists witnessed or participated in dissections to gain a better understanding of the proportions and systems of the body. Artists and physicians also worked together and formed partnerships—Leonardo and Marcantonio della Torre, Michelangelo and Realdo Columbo, and perhaps most famously, Titian and Andreas Vesalius—where the artist's renderings of the anatomist's findings were reproduced and dispersed to a scattered audience through the relatively recent innovation of print.

This exhibition, featuring outstanding examples of anatomy-related material from the collection of rare books in the National Gallery of Art Library, offers a glimpse into the ways anatomical studies were made available to and used by artists from the 16th to the early 19th century. On view are detailed treatises on human proportion and beauty by artists and scholars including Albrecht Dürer and Juan de Arfe y Villafane; drawing and painting manuals by Leonardo, Jean Cousin, and others, which include chapters on proportion and anatomy; and adaptations of anatomical treatises tailored to the needs of working artists by Roger de Piles and Johann Daniel Preissler, among others.

National Gallery of Art painting conservation

Here's an article that talks about how the National Gallery of Art does painting conservation - "Virgin Rebirth: Technology Helps Humans Work Miracles on a Renaissance Treasure," By Jessica Dawson, The Washington Post Tuesday, December 23, 2008; Page C01. And why should I care you ask? Because the Museum's painting of Philadelphia doctor John Hill Brinton by Thomas Eakins is being worked on in the same way. The painting of the Museum's first curator has been on loan to the Gallery since 1946, but recently has traveled to New York City and Italy for Eakins' shows.

I was down visiting the conservators and curator a few weeks ago when they uncovered some details in the painting that hadn't been obvious before. I told them I'd have no idea what they were and I didn't, but research goes on and I'll let them tell there story in their own time and place.