In spite of the Museum’s closing to move, the collections are still growing. Milton and Daniel Klein donated this 1929 set of Edinburgh Stereoscopic Anatomy which complements some earlier sets that we have.
Tuesday, April 5, 2011
Monday, February 28, 2011
February 28, 1896
Mr. Charles H. Ward,
Ward’s Natural Science Establishment,
You will please prepare for this Museum, at your earliest convenience the following skeletons:
1 at birth. Received May 24, 18971 “ 1 month. Received Aug 7 18961 “ 2 months. Rec’d Aug. 7, 18961” 3 “ .
1 “ 6 “ . – Rec’d Sept 11, 1896 –1 “ 9 “ .
1 “ 1 year. Rec’d Sept 4 ,1897.1 “ 2 years.
1 “ 3 “ . –Rec’d June 22, 18961 “ 4 “ .
1 “ 5 “ .
1 “ 6 “ .
It is of course understood, that only skeletons of the known age, as indicated above, are desired for this Museum, as we already have quite a number of skeletons of unknown ages. They may be forwarded from time to time in small lots, and will be paid for as fast as received. In a short time I shall send you an additional order for some of 7 to 20 years of age.
You will also forward to this Museum:
A dislocating skeleton, Cat. Po. 7, No. 3. Rec’d Aug 7, 1896
A skeleton with muscles, Cat., p. 8, No. 4. Rec’d Aug 7, 1896
A larynx phantom, “ “ 43, “ 96. Received Mch 16/96
A preparation showing circulation of foetus, in a material not affected by heat. For this last preparation the Museum will ask for free entry, as soon as notified by you of shipment. Received Sept 11/96
Deputy Surgeon General, U.S. Army,
In charge of Museum and Library Division
Thursday, August 5, 2010
The Body Inside and Out: Anatomical Literature and Art Theory
Selections from the National Gallery of Art Library
July 24, 2010–January 23, 2011
Here's the info from their website and a link to the brochure:
The humanist movement of the Renaissance introduced new realms of possibility in the arts and the sciences, including the study of anatomy. Many artists witnessed or participated in dissections to gain a better understanding of the proportions and systems of the body. Artists and physicians also worked together and formed partnerships—Leonardo and Marcantonio della Torre, Michelangelo and Realdo Columbo, and perhaps most famously, Titian and Andreas Vesalius—where the artist's renderings of the anatomist's findings were reproduced and dispersed to a scattered audience through the relatively recent innovation of print.
This exhibition, featuring outstanding examples of anatomy-related material from the collection of rare books in the National Gallery of Art Library, offers a glimpse into the ways anatomical studies were made available to and used by artists from the 16th to the early 19th century. On view are detailed treatises on human proportion and beauty by artists and scholars including Albrecht Dürer and Juan de Arfe y Villafane; drawing and painting manuals by Leonardo, Jean Cousin, and others, which include chapters on proportion and anatomy; and adaptations of anatomical treatises tailored to the needs of working artists by Roger de Piles and Johann Daniel Preissler, among others.
Monday, July 26, 2010
American Museum of Natural History,
Central Park, (77th St. & 8th Ave.)
New York, July 26 1880
Genl. Geo. A. Otis.
Will you have the kindness to send me a copy of the “List of Specimens in the Anatomical Section of the Army Medical Museum. 1880.” Prefer a copy bound in cloth.
I am Sir, with respect,
Very Truly Yours,
Pl address corr above.
Tuesday, June 9, 2009
Tuesday, April 21, 2009
April 13, 2009, Washington, D.C. – The National Museum of Health and Medicine/AFIP will host a six-month installation of "David Macaulay Presents: The Way We Work: Getting to Know the Amazing Human Body," a new exhibition based on of the acclaimed author’s most recent book of the same title. The exhibition was organized by the National Center for Children’s Illustrated Literature of Abilene, Texas and opens on April 20, 2009. Admission is free. NMHM is open to the public and is located on the campus at Walter Reed Army Medical Center.
"The real beauty of the human body, as it turns out, had little to do with outward appearance. It is displayed in and beneath the skin in a remarkable demonstration of economy and efficiency," said Macaulay in a NCCIL publication about the book. On why he began "The Way We Work": "What began as a simple desire to better understand my own inner workings has become an opportunity to display both my wonder and gratitude."
Over the course of six years, Macaulay delved into the inner workings of the human body, approaching the material with the same vigor to which he previous applied to examinations of architecture and machines. The exhibit takes the visitor on an immersive journey through the human body system-by-system, from the most basic details about cell structure to vivid descriptions of bodily functions. The original artwork will be displayed alongside one-of-a-kind anatomical specimens drawn from the Museum’s collections, so that visitors will be given the opportunity to see in three dimensions that which Macaulay so vividly conveys through his whimsical take on the human body.
"Where else but the nation’s medical museum to display these wonderful works of art?" said Adrianne Noe, Ph.D., Museum director. "Macaulay’s keen eye for detail is evident throughout the exhibition. We hope that the pairing of Macaulay’s sketches with anatomical specimens from our collection will engage the visitor to consider the wonder of the human body."
A series of public programs will be launched to coincide with the temporary exhibition, including a special hands-on program that will be offered on Wednesday mornings (starting in June). Interested parties are encouraged to monitor the Museum’s Events page on their Web site at http://nmhm.washingtondc.museum/events/event_2ed.html, or sign up for the Museum’s free e-newsletter.
The exhibit will close on September 20, 2009.
"The Way We Work: Getting to Know the Amazing Human Body" by David Macaulay (the book) was published in 2008 by Houghton Mifflin, Inc. of New York.
Reservations are not required to visit the Museum. Admission is free and parking is available. Adults seeking to visit the Museum are required to present valid government-issued photo identification to gain entry to Walter Reed, and will be asked to present ID again at the Museum.
For more information, contact Tim Clarke, Jr., the Museum’s Deputy Director for Communications, phone (202) 782-2672, email firstname.lastname@example.org.