Lincoln Bicentennial Goes Into Overdrive

As we get closer (just a few more days!) to the actual bicentennial of Abraham Lincoln's birth, the pace of news coverage - about Lincoln himself and celebrations in DC and nationwide - is getting ramped up to a fever pitch.

Our new exhibit 'Abraham Lincoln: The Final Casualty of the War' - which Kathleen blogged about earlier - is included in the long list of exhibits in and around DC that are centered on the slain president. So, it's natural then that we're getting some collateral coverage (did I just coin that phrase?) in other write-ups of exhibits at Library of Congress or Smithsonian, or the re-opening at Ford's Theatre like in this article here. (Regrettably, the hyperlink they offer is incorrect. But the name and location is there.)

I'll try to make sure I post other links to worthwhile news coverage as it comes in.

Have you seen the new exhibit in the gallery yet? Are you planning a visit to DC and a visit to the Museum? Let us know about your experiences.

Death of a donor

Almost 20 years ago, Mrs. Dilorenzo contacted us about her husband, Dr. Anthony Dilorenzo's medical material. Alan and I went to her home and picked up a lot of pharmaceuticals, advertising material, books and some medical equipment. These types of visits are always tough, but have to be done. Mrs. Dilorenzo herself passed away recently - "Julie DiLorenzo Church Member," Washington Post Friday, February 6, 2009; Page B07. The collection of her husband's work is available in the Museum.

A Day in the Life

Last Friday, a British film crew crew came in on behalf of the History Channel to shoot some footage for a special on ... Lincoln! That was a shocker (in Washington now, every other thing is about Abraham Lincoln).

The crew had a team of 4 - director, videographer, sound man, and general fixer. They filmed parts of our new Lincoln exhibit (see?) and then shot some of Tim talking in front of parts of the Civil War exhibit. Then it was my turn.

I talked about surgery and amputations in front of the large mural in the Battlefield Surgery exhibit, then about reparative (ie plastic surgery) in front of the case that Alan and Steve did in that exhibit, and then talked briefly about Field Day, our picture of a pile of amputated limbs at Harewood Hospital.

Then the fun began. We went back to the Archives where they turned off all the lights and set up some of theirs with blue filters for that spooky 'archives' effect. I'm thinking we need to switch over to this permanently to cut down the number of walk-in requests. Then they filmed me turning the movable aisle handles over and over again. Then walking into an aisle over and over again. Then opening a bound volume of Civil War photographs over and over again. I think you're getting the picture (and this was a very good crew, who were working quickly).

I'm not a big fan of doing tv - it's too much like making sausage. Still it's neat when one of your neighbors rides by and says, "I saw you on tv yesterday" as happened to me last week.

Wow Wow Wow, Ophthalmology and Dissections

The Ball Collection, and I hope you're not bored to tears with it yet, continues to wow me. Here are the treasures I uncovered today, and no pun intended. All typos are mine alone.

Acc 20836-14 Dissection of the head to show the relation of the eyeball to the orbital margin, the course of the optic nerve, the position of the optic chiasma, the trochlear nerve in its whole course, the cavernous sinus, and the semilunar or Gasserian ganglion.






Acc 20836-10 The obicularis oculi muscle dissected away from the lateral side and swung medially to show the direct continuity of its pars lacrimalis with the pretarsal or pars tarsalis fibers which run along the lid margins. The relation to the upper part of the lacrimal sac, which has been exposed by cutting through the lacrimal fascia, is shown.




Acc 20836-8 Dissection of the eyelids, third stage. The orbicularis oculi and the septum orbitale have been completely removed, and the fore edge of the aponeurosis of the levator cut away to expose the tarsal plate; the orbital fat has been cleared away. The preparation shows the supra-orbital and supra-trochlear nerves, the pulley of the superior oblique muscle, the anastomosis between the ophthalmic and angular veins, the inferior oblique muscle with its so-called "check ligament" (the only instance of this structure the writer has met), and the lacrimal gland subdivided into its two parts by the lateral horn of the aponeurosis of the levator.





Acc 20836-6 The middle concha has been pulled upwards to expose the middle meatus. The position of the fossa for the lacrimal sac relative to this wall was ascertained by driving pins through from the opposite side and is outlined in black. Rods have been passed through the opening of the sphenoid sinus and down the infundibulum of the frontal sinus; the latter leads into the hiatus semilunaris, which is bounded above by the rounded bulla ethmoidalis and below by the processus uncinatus; the ostium maxillare of the antrum is also seen.




Acc 20836-9 The relations of the lacrimal gland. Dissection of the left orbit from above and also in front to show the aponeurosis of the levator palpebrae superioris muscle and the lacrimal gland. The pulley of the superior oblique and its tendon are also seen. Natural size.

Anatomy for the Younger Set

In one of those quirky, roundabout ways you have of finding sites on the internet comes American Science and Surplus, which has Anatomical Foam Fun:

Not just for toddlers anymore! While you can't start too young prepping for MCATs, our foam puzzles are must-haves for anyone planning a career as a gastroenterologist or orthopedic surgeon. You get (2) flexible, dense-foam puzzles in vivid colors, 11" x 6-1/4" x 5/16" thick. One is a 14-piece jigsaw of the digestive system, the other is a 21-piece skeleton model. Both have all the relevant parts labeled.

A bargain at $3.95 for two different puzzles. I'd show them but haven't figured out how to copy the image over.

NLM digitizes Journal of National Medical Association

PubMed Central Adds Historically Significant Journal of the National Medical Association (1909-2007) to Its Free Online Holdings

In celebration of Black History Month, the National Library of Medicine is pleased to announce an important addition to PubMed Central (PMC), its free digital archive of full-text journal articles: the complete archive of the Journal of the National Medical Association (JNMA), which observes its centennial this year. To see the archive, please visit: http://www.pubmedcentral.nih.gov/tocrender.fcgi?journal=655&action=archive

The National Medical Association (NMA), established in 1895, is the largest and oldest national organization representing African American physicians and allied health professionals in the United States. The JNMA was published quarterly from 1909 to 1938, bimonthly from 1940 to 1977, and monthly since 1978. The archive currently represents over 77,000 digitized pages of issues, cover to cover, through 2007. Current content will be coming at a later date.



Since its founding, this landmark journal has enabled African American health professionals to keep current regarding the latest medical and public health practices, even in the face of segregation and discrimination. This archive provides historical insight into the social, medical and public health issues that continue to be of particular concern to African American patients and physicians. It has also served as a venue to challenge disparaging interpretations of African American health history published in other medical and social science journals. The collection is of great interest to U.S. and international researchers concerned with the societal impact of health care inequalities. Scholars seeking to understand the historic barriers faced by the African American patient and physician will find this collection to be an invaluable resource.

To learn more about PubMed Central, or to browse its contents, go to: http://www.pubmedcentral.nih.gov.


Michael J. North, northm@mail.nlm.nih.gov
Head of Rare Books & Early Manuscripts
History of Medicine Division
National Library of Medicine
8600 Rockville Pike
Bethesda, MD 20894

(301) 496-9204 * fax (301) 402-0872
http://www.nlm.nih.gov/hmd

Sickles at Gettysburg book PR

As most people who know about the Museum know, we've got part of Dan Sickles that he left behind at Gettysburg. Here's some PR about a new book by Jim Hessler which undoubtedly talks about what he left behind:

Many of you have asked me to keep you updated on the status of my Dan Sickles biography- "Sickles at Gettysburg". It is finally done and will be published on May 1, 2009! The book is full-length (400+ pages), hard cover, with maps and photos. I cover Sickles' entire life (including the murder trial, Chancellorsville, his efforts to remove George Meade from command, his expulsion from the NY Monuments Commission, etc.) with the primary focus, of course, on Gettysburg.

The book will retail at $32.95, and I intend to have signed copies available for a lower price sometime around publication (although I don't yet know that price). I did want to let you know, however, that Amazon is currently offering a pretty good pre-publication deal: $21.75 + free shipping eligibility. It's probably a few dollars lower than what I will be able to offer later, so if you are watching your money right now, I don't know how long Amazon will offer it at this price. (The author doesn't get consulted on these things.) Of course, if you do buy from Amazon, I'll be happy to sign it the next time I see you.

The Amazon link is here (or go to Amazon and search 'Sickles at Gettysburg') :

http://www.amazon.com/SICKLES-GETTYSBURG-Controversial-Civil-Committed-Gettysburg/dp/1932714642/ref=pd_bbs_sr_1?ie=UTF8&s=books&qid=1233799248&sr=8-1

You can read more about the book at my website: www.sicklesatgettysburg.com

The Lincoln Exhibit

Pictures from today's installation of the new Lincoln exhibit:

This one's not actually from today, but it shows our registrar with a drawer that slides in under the exhibit case which will hold a moisture-controlling substance.

















Jim is placing an original drawing of Lincoln's death scene, by Hermann Faber.
















The probe that doctors used to try to find the bullet in Lincoln's brain is being marked for position.















Now that the positions are marked and plexiglass posts are in place to hold everything where it needs to be, the panel is taken to the exhibit floor and placed on the stand. Jim and Steve fine-tune placement of documents.















The case's contents have been carefully laid into place and now Jim and Steve lower the plexi cover ve-e-e-ry gently and settle it down and around the platform.




















The contents of the second case have been prepped by being backed with stiffening board and held in place with mylar strips. Some of the things on this table are an account by the first doctor to treat Lincoln, Charles A. Leale (coincidentally, this pamphlet was republished by Dr. Leale's estate on the 100th anniversary of Lincoln's birth), and a tear sheet from the Medical and Surgical History of the War of the Rebellion, which lists Lincoln as another casualty of the war. He is listed in the book as A____ L____.
















The second case has been brought to the exhibit floor and more items have been added, including a lock of Lincoln's hair, fragments from his skull, a blood-stained cuff from a doctor who treated him, and the bullet that killed him.

Uh-oh, the cuff is in the wrong place. Jim is holding the envelope that held the cuff when it was donated to the museum as Andrea suggests the correct location for the cuff.















Jim removes Lincoln's life mask from the temporary storage cabinet to add to the 3rd cabinet. Sorry for the blur.















The case's platform is placed on the floor, the Lincoln mask (a life mask, not a death mask) is lowered onto batting, and we all hit the floor, making sure there's plenty of clearance.











All the items have been installed and the completed exhibit is open for visitors.

Non-ophthalmic images from the Ball Collection

After a couple of weeks of insanely fast-paced chaos in the archives, I was able to get back to the Ball Collection today for a short time. Here are two scans I made that don't begin to do the original images justice. I wish I could show just how gorgeous the originals are. They are both from Accession 18846: Book: “A Series of Engravings Explaining the Course of the Nerves with an Address to Young Physicians on the Study of the Nerves,” by Charles Bell, First American edition, 1818.



















The ghost image of the lower leg and foot you see here has been transferred from the page, where it was folded up on itself.

Skull from 54th Mass Viewable in New 'Virtual' Exhibit

We recently published two new 'virtual' exhibits and one of those new pages offers a link to Black History Month, but as those new pages might be hard to find (go here, scroll down to the bottom of the page), I thought I would post some easy links and a bit of teaser text.

An aside: Are these 'virtual' exhibits? Is there even a standard definition for 'virtual' exhibits? It's an easy term to apply in this case as the pages offer virtually most, if not all, of the text and photographs (and photos of objects) for temporary exhibits that have been previously installed in the Museum's galleries. I am a fan of capturing that exhibit text and some/most/all of the photographs (or photos of objects) and offering it for posterity via the Web site. Hopefully these offer some value to our Web visitors (which gets back to last week's conversation about The Long Tail.)

Back to the show...

One of the new pages features some interesting information and photographs of objects from the William Holland Wilmer Ophthalmology Collection.

The second page - titled "Effects of Canister Shot in the Civil War: Skull of a soldier of the 54th Massachusetts Volunteers" - features the skull of a man who was a member of the 54th Massachusetts Volunteers. Civil War-types will know that this was the unit depicted in the major motion picture Glory. (I mention that with some caution, as I know the movie usually prompts some interesting conversations about historical accuracy in film.)

Here is a bit of the text from the virtual exhibit itself, which is available online here:

This skull was discovered in 1876 on Morris Island, South Carolina, near the site of Battery Wagner, a powerful earthwork fort that had protected the entrance to Charleston Harbor during the Civil War.

The skull belonged to a man of African descent—a soldier of the famous 54th Massachusetts Volunteers, which had led the assault on Wagner on the night of July 18, 1863. Of approximately 600 men who made the charge, 256 were killed, wounded, or missing.

Let us know what you think!

Museum Audio Tour Now Available for Download

If you've had the opportunity to visit the Museum in the last year or so, you might have seen that we added a free audio tour. The first phase was installed in early 2008 and featured many of the Museum's long-standing exhibits and an update was added this past November that featured our two newest installations (RESOLVED and Balad.)

(At left, that's the graphic that graces some of the audio tour materials.)

But now, you aren't limited to listening to the audio tour just while visiting the Museum - enjoy it at home, the office or on the road! Visit the new Audio Tour page on the Museum's Web site and you'll find links to the series of MP3s that make up the tour. It's listed by exhibit with associated links to relevant Web content, and note that the list runs onto two pages!

Next time you are at the Museum, consider adding the audio tour to your visit. It's free and you can check out the listening wands at the Museum's information desk. Groups can reserve the audio tour, too. More information about the audio tour is here.

Let us know if you find a link that goes awry. Enjoy the downloads and tell your friends!

Abraham Lincoln Exhibit Coming up at NMHM, exhibit design by Navjeet Singh Chhina

Heres an early rendering of the exhibit. Kathleen took the photo of the the museum floor and I used that as a canvas to map the 3-d design to it, Its good to see what things look like at scale. I used photoshop, illustrator, Indesign, Vectorworks, and Cinema 4-d.

BTS on the new Lincoln exhibit

I've been able to get a few pictures of the in-progress Lincoln exhibit that will open next week at the museum.


This is the existing exhibit, one that's been on display long-term.


















The new cases that have just been delivered, and the backdrop panels that will have different things displayed on them:
















How the exhibit team plans what goes where, and will it fit:
















Navjeet, our immensely creative Exhibits Specialist, moving one of the panels (this is just for show; he was actually critically eyeing the existing set-up from a chair out front, but that doesn't photograph so well):

Historical Collections staffing at the Museum

Alan, our longterm collections manager, is off doing something more exciting for a year. Any queries about historical artifacts like equipment, microscopes, scalpels, wax models and the like should go to Jim Curley who's acting in his stead. Curley can be reached at 202-782-2206 or james.curley@afip.osd.mil

Long Tail idea, continued

I've gone on about this topic in the comments to Tim's post from earlier this week, but here's another example from the Smithsonian in today's Wash Post - "Going to Meet Its Public: Indian Museum Will Put Entire Collection Online," By Jacqueline Trescott, Washington Post Staff Writer, Friday, January 30, 2009; Page C01.

This Museum has a built-in lead - they were moved down to Washington recently (in Museum terms) and I'm sure they had excellent records and photos created at that time. When they set up the Museum, they decided to forego exhibit labels in the cases and instead provided a computer screen in front of the exhibit where you could look up what you were actually looking at (I despised this, because only 1 person at a time could look at an exhibit label and I didn't understand why they didn't just put that on the web back then).

So even with a running start, we read "The online project, part of the museum's regular Web site, will begin with 5,500 items and photographs. The goal is to have all 800,000 objects on the Web site, but it will take at least four years to achieve that. ... The museum has raised $750,000 for the first four years of the project, and Gover said a deadline has not been set for the Fourth Museum completion."

So that long tail takes a while to get long enough to trail off...

Shhh, we had Flickr access today!

When I got to work this morning I had no network access at all. No email, no shared drives. When the network finally came up I checked out my (work-related, I swear) blogs on Google reader and actually saw pictures! Normally I just get text, and there was Mike's smiling face from Tuesday's post.
Hmmm, I thought. Could it be that we had access to other very bad things that we're normally blocked from? Is the suspense building for you like it was for me? In went www.flickr.com and there it was. Wow. Like a second chance at life. Quick, now, before they glom on to the fact that I'm at a banned place, what can I post? Eight went up before I got back to real work, so take a look.

Happy Anniversary, Mike!

Anyone who's read the Annual Report for the Archives (raise your hand if you did; there's a prize for you) will know that 2009 marks Mike's 20th year at the museum. Today we had a mini celebration at the Collections meeting and caught Mike totally off guard. It was worth making those cakes from scratch (beat the butter for 3 minutes and 14 seconds, add 1/4 cup less 1 tablespoon of sugar at a time...) just to see the surprise on his face when he realized they were for him.

So, Mike, I won't say "And 20 more!!!" because I still have to work with you, but congratulations on the first 20 and hang in there for as long as you can.



P.S. That red thing on the cake is, as I said at the meeting, the closest thing Harris Teeter had to a superhero anything. It's a kind of nerf football with a copyright-violation Spiderman pattern to it.

Gretchen

For those in the "business" (a term that hardly describes the work that goes on in places like the museum), the late Gretchen Worden of the Mutter Museum in Philadelphia was the undisputed kahuna.
Gracious, mysterious, witty beyond mere mortals and a true force to be reckoned with, she was the Mutter.

The Mutter just unveiled her portrait. We can only hope to achieve the same in the afterlife.

[Mike here - it's a lithotrite for breaking bladder stones - aarggh! as Charlie Brown might say. Paul says that Chris Quigley has more info on her blog.

The Long Tail, Museums, the Smithsonian, oh my...

There is simply too much awesomeness in this article in today's Washington Post about this past weekend's Smithsonian 2.0 event. Please, read it, and I imagine that for curators working in today's environment, the quote from Anderson in the eleventh paragraph from the end, well, that might prove to be the fodder for watercooler talk, eh? I don't think I agree with Anderson, though. There will always be a place for the expert, especially in museums.

Here's one paragraph though, referring to Wired magazine's Chris Anderson:

"That would be Wired's Anderson. His "long tail" hypothesis has revolutionized how Web entrepreneurs think about their businesses. The basic idea, he explained at the event, was that in the Industrial Age, sales of anything were limited by shelf space. The result was the elevation of a priesthood of curators, editors and gatekeepers whose job it was to try to winnow through everything and offer up what they thought might be the best of the best -- or at least the most likely to sell to the most people. The Web has changed all that..."

I am a huge fan of The Long Tail. Like Good to Great by Jim Collins, it's the sort of book that offers a seachange in how you could consider approaching your work on a daily basis. I think about the long tail all the time in my work in communications. Both books, and their authors, are worth checking out if you've not had a chance to follow these movements (that's what they are, if you think about it) yet.

Now, go read. And let us know if you are reading something interesting!

Coming up at NMHM in Jan, Feb, and Mar

(Updated with an actual title. Sorry about that...)

Coming up at NMHM in the next few months:


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Hope that helps! See you at the Museum!